Irving Lowens Article Award

Irving Lowens

Irving Lowens' research and writing in American music not only form a cornerstone for American music history, but also are largely responsible for making the study of American music a respected and thriving area in musicology today. As the principal founder of the Sonneck Society (now the Society for American Music) and its first president from 1974 to 1981, Irving Lowens has often been regarded as the guiding spirit for the Society. During his remarkable career he became distinguished in music criticism, musicology, and music librarianship. In his positions as music critic for the Washington Star (1953-1977), music reference librarian at the Library of Congress (1962-1966), and as Dean at the Peabody Conservatory of Music (1977-1982), he served in turn the public, the scholar, and the music student. The Irving Lowens Article Award commemorates this remarkable man and his contributions to the study of American music.

This award consists of a plaque and cash award given annually for the article that makes an outstanding contribution to American music studies.

Lowens Article Award Winners

Publication Year Winner
2012 Mark Burford, "Sam Cooke as Pop Album Artist–A Reinvention in Three Songs" Journal of the American Musicological Society, Volume 65
2011 Karen Ahlquist, “Musical Assimilation and ‘the German Element’ at the Cincinnati Sängerfest, 1879” Musical Quarterly, Volume 94
2010 Amy Wlodarski , “The Testimonial Aesthetics of Different Trains”, Journal of the American Musicological Society, Volume 63
2009 Cristina Magaldi, “Cosmopolitanism and World Music in Rio de Janeiro at the Turn of the Twentieth Century” Musical Quarterly, Volume 92
2008 Brian Harker, “Louis Armstrong, Eccentric Dance, and the Evolution of Jazz on the Eve of Swing,” Journal of the American Musicological Society, Spring, 2008
2007 Nancy Yunhwa Rao, “Ruth Crawford's Imprint on Contemporary Composition”Ruth Crawford Seeger's Worlds: Innovation and Tradition in Twentieth-Century American Music, ed. Ray Allen and Ellie Hisama (University of Rochester Press, 2007)
2006 Leta E. Miller, “Henry Cowell and John Cage: Intersections and Influences, 1933-1941”Journal of the American Musicological Society, Spring, 2006
2005 Beth Levy, “From Orient to Occident: Aaron Copland and the Sagas of the Prairie,” in Aaron Copland and His World, edited by Carol J. Oja and Judith Tick (Princeton: Princeton University Press, 2005)
2004 Jairo Moreno, “Bauzá—Gillespie—Latin/Jazz: Difference, Modernity, and the Black Caribbean,” South Atlantic Quarterly 103:1 (Winter 2004)
2003 Stanley V. Kleppinger, “On the Influence of Jazz Rhythm in the Music of Aaron Copland,” American Music Volume 21, No. 1, Spring 2003
2002 J. Peter Burkholder, “The Organist in Ives” Journal of the American Musicological Society, Summer 2002
2001 Guthrie Ramsey, Jr., “Who Hears Here? Black Music, Critical Bias, and the Musicological Skin Trade” Musical Quarterly, Volume 85, No.1 (2001)
2000 John Graziano, “The Early Life and Career of the 'Black Patti': The Odyssey of an African American Singer in the Late Nineteenth Century,” Journal of the American Musicological Society (Fall 2000)
1999 Brian Harker, “'Telling a Story': Louis Armstrong and Coherence in Early Jazz” Current Musicology, Vol. 63, 1999
1998 Carol Hess, “John Philip Sousa's 'El Capitan': Political Appropriation and the Spanish-American War” American Music, Spring 1998
1997 Kim H. Kowalke, “For Those We Love: Hindemith, Whitman, and An American Requiem” Journal of The American Musicological Society
1996 Mark Tucker, “In Search of Will Vodery” Black Music Research Journal
1995 Kim H. Kowalke, “Kurt Weill, Modernism, and Popular Culture: Offentlichkeit als Stil” Modernism/Modernity
1994 John Spitzer, “'Oh! Susannah' : Oral Transmission and Tune Transformation” Journal of the American Musicological Society
1993 Judith Tick, “Charles Ives and Gender Ideology” Music and Difference
1992 Robert Walser, “Eruptions: Heavy Metal Appropriations of Classical Virtuosity” Popular Music
1991 Scott DeVeaux, “Constructing the Jazz Tradition: Jazz Historiography” Black American Literature Forum

Article Award Application Information