Sonneck Society for American Music
Bulletin, Volume XXIV, no. 1 (Spring 1998)
Some Recent Articles and Reviews
Compiled by William Kearns, University of Colorado at Boulder
AFRICAN MUSIC 7/3 (1996): Christopher Ballantine, "Fact, Ideology and Parados: African
elements in early black South African jazz and vaudeville," 44.
ACOUSTIC GUITAR (Jan. 98): Scott Nygaard, "Dawg Guitar: David Grisman Quintet Then
and Now," 68.
AMERICAN CHORAL REVIEW (Sum/Fall 97): D. E. Urrows, "Randall Thompson's Alleluia: Notes
on an American Ikon," 1.
AMERICAN HERITAGE
(Nov 97): Susannah McCorkel, "Back to Bessie [Smith]," 54.
(Dec 97): "Tony Scherman, "Why These Three Men [the Yankee, backwoodsman, Jim Crow] are Part of
your Soul" [a reflection on Constance Rourke's American Humor], 53; Ian Whitcomb, "The
Confessions of a British Invader," 68.
AMERICAN MUSIC RESEARCH CENTER JOURNAL 7 (1997): entire issue -- H. Earle Johnson, "Longfellow
and Music"; essay, 8; Chronological List of Works by Longfellow with Musical Settings, 33; Musical
Compositions Based on Longfellow's Literary Works, 39.
AMERICAN MUSIC TEACHER (Oct/Nov 97): Judith Tick, "The Legacy of Ruth Crawford Seeger," 27.
AMERICAN RECORD GUIDE
(Sept/Oct 97): Nancy Raabe, "Atlanta Symphony Reborn," 10; Richard Traubner, "Broadway Round-up," 24; Richard
S. Ginell, "Copland is the Focus" [Oregon Festival of American Music], 35. Reviews of Babbitt, Canonical
Form; Emblems; Preludes, Interludes, & Postlude, Tutte le Corde, Martin Goldray,
p. (CRI 746); Barber, Violin Concerto, Souvenirs, Piano Concerto, R. McDuffie, v;
K. Parker, p; Atlanta Symphony (Telarc 80441); Barber piano music, Leon McCawley (Virgin 45270); Bloch,
music for viola and piano, B. Zaslav, va; N. Zaslav, p; (Music & Arts 902); Castelnuovo-Tedesco piano works,
Massimo Palumbo (Dynamic 181), Aldo Ciccolini (Phoenix 97301); Castelnuovo-Tedesco piano trios, Trio Mezzena-Bonucci
(Dynamic 136); David Chaitkin, Summersong, Duo, Serenade, Etudes (CRI 749);
Cowell, Symphonies 7+16, Variations for Orchestra, Wm Strcikland, cond (CRI 740); Dello
Joio, Air Power; John Vincent, Symphony in D, Symphonic Poem after Descartes,
Ormandy & Phila Orch (Albany 250); Nicolas Flagello, music for violin and piano, Nagata Setsuko, v. & Peter
Vinograde, p. (Albany 234); Lukas foss, The Jumping Frog of Calaveras County, solists w/Manhattan
Chamber Orch. (Newport 85609); Gershwin piano music, Alicia Zizzo, p. (Carlton 6600052); Granger wind
music (North College of Music Wind ORch. (Chandos 9549); Harbison Violin Concerto, choral pieces,
Rose Mary Harbison, v.; Emmanuel Music/Craig Smith (Koch 310); Ben Johnston, Suite & Sonata for
Microtonal Piano, St. Joan, Phillip Bush (Koch 7369); Betsy Jolas, Stances B for
Sonata, J.D.E., Points of Dawn, From a Travel Opera, misc. groups (Ades
205 762); Lowell Liebermann, Piano Concertos 1 & 2, Album for the Young, Stephen Hough
& BBC Scottish Symphony (Hyperion 66966); Ron McFarland, Windows, Pegasus, Les
Hommages Sara Ganz s.; Elaine Lust, p., Alexander Quartet (Con Molto 94001); Wm McKinley,
Symphony 4, Piano Concerto 3, 3 Poems of Pablo Neruda, Isabelle Ganz, mz, Marjorie
Mitchell, p.; Slovak Radio Symphony (MMC 2034); Leo Ornstein, Piano Quintet, Quartet 2,
Lydian Quartet, Janic Weber, p. (New World 80509); Geroge Perlman, Violin Pieces, Lawrence Golan
& Martin Perry, p. (Albany 239); Miklos Rosza, Violin Concerto, Andante, Concerto for
Strings, Igor Gruppman, New Zealand Symphony (Koch 7379); M. Rosza, film scores -- The Lost
Weekend, Double Indemnity, The Killers, New Zealand Sym. (Koch 7375), Rzewski,
Jefferson, Antigone-Legend, Carol Plantamura, s. & Rederick Rzewski, p. (CRI 747);
Alan Shawn, Sextet, Blues & Boogie, Song of the Tango Bird, Piano Trio,
soloists, Aspen Wind Quintet (Northeaster 258); Leo Sowerby, Harp Concerto, Songs of
Resignation, 5 Songs, Rhapsody, Serenade, soloists, Arnernet Quartet,
Monadnock Festival Orch. (Gasparo 315); Irwin Swack, Fantasie Concertante, Flute Sonata,
Quartet 5, Sarah Hornsby, fl., Soctt Rednour, p.; Cracow Radio Symphony (Centaur 2298); Alec
Wilder, flute music, Laurel Zucker, fl., Daniel Kennedy, perc., Lorna Peters, hpsi., Richard Cionco, p.
(Cantila 66014); Wuorinen, 2-Part Symphony, Tuba Concerto, Piano Concerto, Chamber
Concerto, misc. groups (CRI 744); Frank Zappa, Strictly Genteel (Ryko 10578).
Collections: Music for Merce [Cunningham], Cage, Harrison, Feldman, Eos Ensemble (Catalyst
68751); The Allentown band performs Sousa, Boyer, Clarke, others (AMP 96197); Allentown Band, P.O.
Box 1142, Allentown PA 18105); New Columbia Brass Band, George Foreman, cond. performs Tobani,
Reeves, Herman, Barnhosue, Rollinson, Sweet (Dorian 80153); Wondrous Love, folk songs, Chanticleer
(Teldec 16676); Gentle Annie, songs of Foster and Ives, Vocal Arts Quartet (Koch 7392).
(Nov/Dec 97): Reviews: Antes & Peter string music, American Moravian Chamber Ensemble (New World
80507); Argento, From the Diary of Virginia Woolf, Janet Baker, mz; Martin Isepp, p. (D'Note
1019); Beach piano pieces, Johann Polk (Arabesque 6693); Gershwin, Rhapsody in Blue, Concerto
in F, American in Paris, I Got Rhythm, Earl Wild, p. & Boston Pops (RCA 68792);
Roger Goeb, Symphony 4; Horner Keller, Symphony 3; Siegmeister, Symphony 3, Japan
& Osla Philharmonic (Citadel 8821); Daron Hagen songs, Susan Crowder, s. & Bradley Moore, p. (Aris 106);
David Maslanka, Duo, Heaven to Clear When Day Did Close; Warren Bensen, Songs for
the End of the World, soloists, Eastman Musica Nova Ensemble (Albany 236); Piston, Symphony 4;
Harris, Symphony 7; Schuman, Symphony 6, Ormandy & Phila. Orch. (Albany 256); Gardner
Read, Piano Concerto, Epistle to the Corinthians, The Hidden Lute, By-Low,
My Babe, Randall Hogkinson, p., Eastman Phil. (Albany 245); Leo Sowerby, Comes Autumn
Time, Prairie Theme in Yellow, From the Northland, Czech Nat. Sym. (Cedille 33);
Leo Sowerby, folk songs arr. for piano, Malcolm Halliday (Albany 226); L. Sowerby; The Throne of
God, THey Word is a Lantern, God Mounts His Throne, Come, Risen Lord, William
Ferris Chorale & Festival Orch. (Albany 232); Starer, Hudson Valley Suite, Evanescences;
Thorne, Symphony 7, Simultaneities, American Brass Quintet, Crane Concert Choir, Albany
Sym. (Albany 244); Weill, Seven Deadly Sins, Symphony 2, Teresa Stratas, s. et al., Lyon
Opera Orch. (Erato 17068). Collections: Reviews of Desertscapes: American Women Composers:
Payne, Countryman, Diehl, Shaffer, Berk, & Pizer, soloists & Slovak Radio Orch. (MMC 2026);
American Visions: Williams, Copland, Grofe, Ives, Hanson, Bernstein, Nelson, McDonald, and
Kern, K. Lockhart & Boston Pops (RCA 687860); Eastman American Music #4: recent Rags by
Bolcom, Albright, Morath, Cararnia, Frost, Jenks, Hodkinson, Putz, Tony Caramia, p. (Albany 253);
American Violin, Copland, Cowell, Price, Hoiby, Still, Zina Shiff, v., Cameron Grant, p. (4
Tay 4005); American Idyll, 1800-60, Daniel McCabe, bar. (Fleur de Son 57924).
AMERICAN SUZUKI JOURNAL (Sum 97): Sandra McWalter Payton, "Some Historical Recollections of the
Growth of Suzuki Teaching in the West," 80.
BLACK MUSIC RESEARCH JOURNAL (Sp 97): Edward Komara, "Blues in the Round," 3; Jared
M. Snyder, "Squeezebox: The Legacy of the Afro-Mississippi Accordionists," 37; Christopher Washburne,
"The Clave of Jazz: A Caribbean Contribution to the Rhythmic Foundation of an Afro-American Music,"
59; Stuart L. Goosman, "The Black Authentic: Structure, Style, and Values in Group Harmony," 81.
BOOSEY & HAWKES NEWSLETTER (Apr 97): U.S. premiers of two new Elliott Carter compositions,
Allegro Scorrevol and Clarinet Concerto, 1: documentary video opera by Steve Reich and Beryl
Korot, Three Tales-- Hindenburg, Bikini & Dolly, 4.
BRASS BULLETIN (1997/3): Irving Bush, "Chet Baker and His Martin Trumpet," 34; Julien-Francois
Zbinden, "Pilgrimage to New Orleans, Roots of Jazz," 58.
The Brass Player
(Fall 97): Michael Meckna, "It Has to Mean Something Every Time You Play: Advice from Some Trombone
Masters," 1.
(Winter 97): Juri A. Villanueva, "American Brass Bands in the Civil War," 6; Michael Meckna, "Entering
the Sphere of Music: Advice from Some Trumpet Masters," 10.
BULLETIN: COUNCIL FOR RESEARCH IN MUSIC EDUCATION
(Sp 97): Robert A. Duke, Patrica J. Flowers, & David E. Wolfe, "Children Who Study Piano with Excellent
Teachers in the U.S.," 51.
(Sum 97): Terese M. Volk, "Music Speaks to the Hearts of all Men: The International Movement in
American Music Education, 1930-54," 143.
The BULLETIN OF HISTORICAL RESEARCH IN MUSIC EDUCATION (Sept 97): Mark Fonder, "William
Billings: A Patriot's Life?," 1.
CANADIAN BAND JOURNAL (Fall 97): Ed Wasiak, "Saskatchewan's First Bands," Pt. 1, 20.
CANADIAN UNIVERSITY MUSIC REVIEW ;(17/2, 1997): Wesley Berg & Gerry Paulson, "Mrs. J. B.
Carmichael and the Edmonton Civic Opera Society, 1935-1971," 30.
CENTER FOR BLACK MUSIC RESEARCH DIGEST (Fall 97): Rex Nettleford, "Educating Ourselves in the
Caribbean and the Americas for the Twenty-First Century," 4; Robert Stevenson, "Historic Latin
Composers of African Descent," 7.
CHAMBER MUSIC (1997): Directory of Chamber Music America -- includes overview of chamber music
activity in U.S.
CIVILIZATION
(Oct/Nov 97): Terry Teachout, "The High Lonesome Sound of Alison Kraus," 23; Mark Edmundson, "Tangled
Up in the Truth [Bob Dylan]," 50.
(Dec/Jan 97-98): Terry Teachout, "It's Still a Helluva Town (On the Town)," 23.
CLASSIC CD
(Oct 97): Malcolm Hayes, "Hollywood's Last Romantic [Korngold]," 38; Peter
Davey; "Music for the Silver Screen," 46.
(Nov 97): "Jonathan Webster, "Parallel Lives," interviews with John Adams, Philip Glass, and Steve
Reich, 52.
(Dec 97): Michael Oliver, "Mother of the Modernists [Ruth Crawford Seeger]," 44.
EARLY MUSIC AMERICA (Fall 97): Mark Davenport, "Noah Greenberg: The Man Behind the Music,"
39.
ETHNOMUSICOLOGY (Fall 97): George List, "Hopi Kachina Dance Songs: Concepts and Context,"
413; Graeme Smith, "Modern-Style Irish Accordion Playing: History, Biography, and Class," 433;
Harris M. Berger, "The Practice of Perception: Multi-Functionality and Time in the Musical
Experience of a Heavy Metal Drummer," 464.
FLUTE TALK (Oct 97): Carolyn Treybig, "Embellinshing Irish Folk Songs," 15.
GLENN GOULD
(Fall 96): John Beckwith, "Glenn GOuld, the Early Years: Addenda and Correigenda," 56.
(Sp 97): John Beckwith, "Master Glen Gold" [sic], 14.
GUITAR REVIEW (Sum/Fall 97): Ron Purcell, "Laurindo Almeida, Part II: California, Here I Come!,"
18.
HARMONY: FORUM OF THE SYMPHONY ORCHESTRA INSTITUTE (Oct 97): S. Frederick Starr, "Symphony
Orchestra: How Did We Get HEre? Where are We Going?," 73.
THE HYMN (Oct 97): Robert A. Leaver, "The Failure that Succeeded: The New Version of
Tate and Brady," 22; Roger Wayne Hicks, "The First Southern Methodist Hymn Book," 32; James H. Brumm,
"John Henry Livingston: Unlikely Hymn Pioneer," 36.
INTERNATIONAL ASSOCIATION OF JAZZ RECORD COLLECTORS JOURNAL (Sp 97): Jim Prohaska, "Irving
Mills--Record Producer: The Master and Variety Record Labels," 1.
INSTITUTE FOR STUDIES IN AMERICAN MUSIC (Sp 97): Henry Cowell's Musical World: A Program Book
for the Centennial Festival, March 12-25, 1997 -- articles by Carol J. Oja, H. Wiley Hitchcock, Joel
Sachs, Lou Harrison, discography by Dick Higgins, festival program, and bibliography.
INSTITUTE FOR STUDIES IN AMERICAN MUSIC NEWSLETTER (Fall 97): Karen Ahlquist, "Remapping the Landscape:
19th-Century Music and the Uses of History," 1.
THE INSTRUMENTALIST (Jan 98): Peter L. Boonshaft, "Discovering a Treasure of 160 Nelhybel Works," 68.
INTERNATIONAL CLASSICAL RECORD COLLECTOR
(Sum 97): Graham Silcock, "Seeking Haydn:
History of the Haydn Society of Boston," 36.
INTERNATIONAL REVIEW OF THE AETHETICS AND SOCIOLOGY OF MUSIC (June 96): Ian Inglis, "Ideology,
Trajectory, and Stardom: Elvis Presley and the Beatles," 53.
JAHRBUCH DES ISTORISCHEN VEREINS FUR DAS FURSTENTUM LIECHTENSTEIN, 93 (1995): E. Douglas
Bomberger, "Amerikanische Musiker als Studenten bei Josef Gabriel Rheinberger," 318.
JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY (Sum/Fall 97): rev. of Charles Hamm's Putting
Popular Music in Its Place and Elizabeth W. Marvin and Richard Hermann, eds., Concert Music, Rock,
and Jazz Since 1945: Essays and Analytical Studies, by David Brackett, 507.
JOURNAL OF BAND RESEARCH (Fall 97): Patricia D. Backhaus, "Band Research Materials in the
Waukesha County [Wisconsin] Museum Research Center," 31.
JOURNAL OF SINGING (Sept/Oct 97): Robert Edwin, "Renting La Boheme: The Bach to Rock
Conntection," 59; Judith Carmen, "American Song Cycles and Sets Part I," 69.
KURT WEILL NEWSLETTER (Fall 97): J. Bradford Robinson, 'Learning the New Ropes: Kurt
Weill and the American Theater Song," 3; Leonard J. Lehrman, "Few Little English: A Forgotten Song
by Marc Blitzstein for Lenya," 8.
MORAVIAN MUSIC JOURNAL (Fall 97): Pauline Fox, "Parodies for Piety: 'aus Naumann's
Cora'," 6.
THE MUSICAL QUARTERLY
(Sp 97): Denise von Glahn Cooney, "New Sources for 'The St. Gaudens' in Boston Common (Colonel
Robert Gould Shaw and his Colored Regiment)," 13.
(Sum 97): Mark Mazullo, "Fans and Critics: Greil Marcus's Mystery Train as Rock 'n' Roll History,"
145; Kay K. Shelemay, "What's Up Doc?, A View of 'Reel' Musicologists," 204; Mark Singer, "Shhhhhh!
[technology and music]," Eric W. Rothenbuhler and John D. PEters, "Defining Phonography: An Experiment
in Theory," 242; LIsa Gitelman, "Reading Music, Reading Records, Reading Race: Musical Copyright and the
U.S. Copyright Act of 1909," 265; Eleanor Selfridge-Field, "Exeriments with Melody and Meter, or
The Effexts of Music: THe Edison-Bingham Music Research," 291.
MUSIC ANALYSIS (Oct 97): Joseph N. Straus, "The Music of Ruth Crawford Seeger," 399.
MUSIC AND LETTERS (Nov 97): revs. of Jonathan W. Bernard, ed., Elliott Carter: Collected
Essays and Lectures, 1937-1995, by Arnodl Whitall, 625; Geoffrey Block's Ives' "Concord
Sonata", by David Nicholls, 616, Evelyn D. Culbertson's He Heard America Singing: Arthur
Farwell, Composer and Crusading Music Educator, and Farwell's (ed. Thomas Stoner) "Wanderjahr
of a Revolutionist" and Other Essays on American Music, by Peter Dickinson, 617; Thomas DeLio, ed.,
The Music of Morton Feldman, by David Nicholls, 631; Mike Heffley's The Music of ANthony
Braxton, by Kenneth Cloag, 634.
MUSIC PERCEPTION (Fall 97): rev. of Ingrid Monson's Saying Something: Jazz Improvisation
and Interaction by Mark Perlman, 199.
MUSIC THEORY SPECTRUM (Fall 97): Steven Block, "'Bernsha Swing': The Transformation of
a Bebop Classic to Free Jazz," 206.
THE MUSICAL TIMES
(Apr 97): Wilfrid Mellers, "The Demotic innocent: a Belated Centenary Tribute
to Virgil Thomson," 5; David Price, "The Manic Mechanic: THe Music of Conlon Nancarrow," 9.
(May 97): Wilfrid Mellers, "A New Everlasting Felling: Tribute to Lou Harrison," 31.
19th CENTURY MUSIC (Sum 97): David Metzer, "We Bosy: Childhood in the Music of Charles
Ives," 96.
NOTES: QUARTERLY JOURNAL OF THE MUSICAL LIBRARY ASSOCIATION (Dec 97): Mary Wallace Davidson,
"Mid-Nineteenth Century American Periodicals: A Case Study,"
371; James P. Cassaro, "Other Musical Chadwicks: John M. and George M. of Central New York,"
388. Reviews of Robert Grimes's How Shall We Sing in a Foreign Land?: Music of Irish Catholic
Immigrants int he Antebellum United States and William H.A. Williams's 'Twas Only an
Irishman's Dream: The Image of Ireland and the Irish in American Popular Song Lyrics, 1800-1920,
by Brian Thompson, 416; James R. Campbell's Festival Fever: The Ultimate Guide to Musical
Celebrations in the Northeast, by Ned Quist, 466; Joseph Rezits's Beloved Tyranna: The
Legend and Legacy of Isabelle Vengerova [Curtis Institute piano teacher], 488; Hertzel
Weinstat's and Bert Wechsler's Dear Rogue: A Biography of the American baritone Lawrence
Tibbett, by Richard LeSueur, 489; Chuck Mancuso's Popular Music and the Underground:
Foundations of Jazz, Blues, Country, and Rock, 1900-1950, by Mark McKnight, 494; Carl Woideck's
Charlie Parker: His Music and Life, by Richard Lawn, 195; William Duckworth's Talking
Music: Conversations with John Cage, Philip Glass, Laurie Anderson, and Five Generations of
American Experimental Composers, by Allison Welch, 497. Software review: Crazy for Ragtime
& Total Joplin: The Complete Works of Scott Joplin, by Victor Cardel, 533. Video
review: Bossa Nova: Music and Reminiscences, by Brian Robison, 545. Music reviews:
ensemble music featuring clarinet by Andrew Frank, Peter Josheff, Libby Larsen,
Robert Maggio, and Gary Schocker, by Jerry L. McBride, 571; Mark Slobin, ed.,
Yiddish Theater in America, vol. 11 of Nineteenth-Century American Musical
Theater, by Judith P. Fertig, 576.
OPERA NEWS
(Nov 97): Herman Krawitz, "Titan: The Bing Years at the Met," 6; Sonya Haddad,
"Remembering 'The Last Great Impressario,'" [reminiscences of Bing's colleagues],
10.
(Jan 17, 98): Robert Marx, "Auden in Opera: The Libretto as Poetic Style," 8;
David Hamilton, "The Rake Decoded," 12.
OPTION
(Sept/Oct 97): Neva Chonin, "Barbara Manning: Sunny Side Up," 42; Marisa Fox and Erik
Pederson, "Arto Linday: Brazilian Blend," 48; Dan Epstein, "Living in the Past,"
54; Lorraine Ali, "Goldie: Pedal to the Metal," 60; Ken Miscallef, "Jungle Warfare:
drum'n'bass," 64.
(Nov/Dec 97): Steve Appleford, "The Soul of Ben Harper [slide guitarist]," 41;
Kenny Berkowitz, "Minimal Impact," [Philip Glass, Steve Reich], 48; Neva Chonin,
"An Itch to Scratch: The New School Turntablists," 56; Eric Pederson, "What the
World Needs Now: The New Easy Listening," 62; Lorraine Ali, "Stereolab's Accidental
Pop," 74.
(Jan/Fef 97-98): Arnold Pan, "Starflyer 59" [S. Calif. Christian Band], 26; Kathy
Silberger, "Prince Paul" [hip-hop DJ], 32; Margit Detweiler, "T.S. Monk" [song of
Thelonious], 44.
OPUS (Schwann) (Sum 97): Ingram Marshall, "Steve Reich: 30 Years on the
Record," 18A.
PASTORAL MUSIC (Dec/Jan 97-98): Alexandrina D. Vera, "Guitars in Hispanic
Liturgy Today," 32.
PETERS NOTES
(Sp 97): Gene Caprioglio, "Henry Cowell: American Musical Pioneer," 1; Don C.
Gillespie, "Ross Lee Finney (1906-1997)," 4; Stephen Fisher, "Otto Luening
(1900-1996)," 5.
(Fall 97): Hays Biggs, "A Unitary Effect: Arthur Berger at 85," 1; Gene Caprioglio,
"A Lou Harrison Primer," 4.
PIANO TODAY (Winter 97-98): Denes Agay vs. Judith Tick, "Battle of the Sexes:
Are Women Composers Worth Playing?," 8.
POPULAR MUSIC AND SOCIETY
(Fall 96): Nick Groom, "The Condition of Muzak," 1; Kevin Holm-Hudson, "John
Oswald's Rubaiyat (Elektrax) and the Politics of Recombinant Do-Re-Mi,"
19; Stephen Sweet, "Bluegrass Music and Its Misguided Representation of Appalachia,"
37; Mel van Elteren, "Country Music in the Netherlands: Why Is It Still Marginal?,"
53.
(Winter 96): Beatles issues: Michael Brocken, "Some Other Guys! Some Theories about
Signification: Beatles Cover Versions," 5; Jon Fitzgerald, "Lennon-McCartney and the
Middle Eight," 41; Ian Inglis, "Synergies and Reciprocities: The Dynamics of Musical
and Professional Interaction between the Beatles and Bob Dylan," 53; Paul R. Koh, "A
Splendid Time Is Guaranteed for All: The Beatles as Agents of Carnival," 81; Timothy
E. Scheurer, "The Beatles, the Brill Building, and the Persistence of Tin Pan Alley
in the age of Rock," 89; Alan West and Colin Martindale, "Creative Trends in the Content
of Beatles LYrics," 103; Arnold S. Wolfe and Margaret Haefner, "Taste Cultures
Culture Classes, Affective Alliances, and Popular Music Reception: Theory, Methodology,
and an Application to a Beatles Song" ("All You Need is Love"), 127.
THE RECORD COLLECTOR (Sept 97): Michael Quinn, "Mary Lewis-- The Radio
Discs," 188.
SACRED MUSIC (Sum 97): Duane L.C.M. Galles, "The Hispanic Musical Presence in
the New Evangelization in the United States," 6; Jean E. Graham, "Latin is Alive in
Today's Church," 19.
SAXOPHONE JOURNAL (Nov/Dec 97): Paul Cohen, "Lyon & Healy and the Veil of Stencil
Saxophones," 8.
SING OUT!
(Fall 97): Valrei Mindel, "ay Ungar & Molly Mason: Connecting Community and Music," 42;
Scott Alark, "Solas: Innovative Traditions [Irish]," 56.
(Winter 97): Keith Fotheringham, "John Roberts & Tony Barrand: A Rare Breed"
[Anglo-American Traditional singers], 34; Roger Deitz, "John McEuen: Nitty Gritty
String Wizard," 46.
SMITHSONIAN (Jan 98): Sue Arnold, "Roll Over, Beethoven" [Paul McCartney's
Liverpool Institute of the Performing Arts], 74.
THE STRAD (Jan 98): Myron Rosenblum, "Contemporary Champion [Walter
Trampler]," 28.
SYMPHONY (Nov/Dec 97): Chester Lane, "Concert Hall Cinema," 22; Dana Hull,
"Banding Together" [military musicians], 32; Ruth Bonapace, "Pops Apologist"
[Skitch Henderson], 41.
TUBA JOURNAL (Fall 97): Harvey Phillips, "Of Sousa and Circuses: An Interview
with Johnny Evans" [Sousa Band and Ringling Bros. Circus Tubist], 48.
WOMEN OF NOTE QUARTERLY (Aug 97): Thomas Erdmann, "The Formal Structure
of Undine Smith Moore's Before I'd be a Slave," 13; M.L. Corbin Sicoli,
"Sisters in the Musical Ghetto: African American Womena nd Bestselling Music," 18.
Updated 4/20/98