Process vs. Intuition in the Recent Works of Steve Reich 245 and John Adams K. Robert Schwarz The Hymnody of the African Methodist Episcopal Church 274 Jon Michael Spencer Jeannette Meyers Thurber and the National Conservatory of Music 294 Emanuel Rubin Theodore La Hache and Music in New Orleans, 1846-1869 326 Warren Carl Fields George Horatio Derby's "Musical Review Extraordinary," or, 351 Felicien David in the New World Eric Frederick Jensen
COMMUNICATIONS The Reception of Jazz in America 359 Lawrence Gushee Reply 360 Krin Gabbard
BOOK REVIEWS Tommy Krasker and Robert Kimball, Catalog of the American 363 Musical; Musicals of Irving Berlin, George and Ira Gershwin, Cole Porter, Richard Rodgers, and Lorenz Hart Larry Stempel Joseph Horowitz, Understanding Toscanini: How He Became 366 an American Culture-God and Helped Create a New Audience for Old Music Ezra Schabas Richard Jackson, ed., Democratic Souvenirs: An Historical 368 Anthology of Nineteenth-Century American Music William Kearns Clifford Endres, Austin City Limits 373 Bill C. Malone
RECORD REVIEWS The Classic Hoagy Carmichael 375 Lynn L. Siebert George Whitefield Chadwick, String Quartet No. 1; 378 String Quartet No. 2; String Quartet No. 3; Quintet for Piano and Strings; String Quartet No. 4; String Quartet No. 5 William Kearns Ross Lee Finney, Fantasy; Sonata no. 3 in E Major; 380 Sonata Quasi una Fantasia; Narrative in Retrospect Edith Borroff Tobias PIcker, Keys to the City; Marc Blitzstein, 381 Piano Concerto Robert J. Dietz
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